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Elise (Sara) Henle Levi (10 August 1832, Munich – 18 August 1892, Frankfurt am Main) was a German Jewish writer, dramatist, and poet. She was the author of numerous dramatic comedies, opera libretti, poems, and cookbooks.

Elise Henle Levi
BornElise (Sara) Henle
(1832-08-10)10 August 1832
Munich, Bavaria, German Confederation
Died18 August 1892(1892-08-18) (aged 60)
Frankfurt am Main, Prussia, German Empire
Resting placeFrankfurt Jewish Cemetery
LanguageGerman
Spouse
Leopold Levi
​
(m. 1853)​
ChildrenMathilde Levi Sonnemann (1854–?)

Biography


Elise Henle was born in Munich, Bavaria into a wealthy Jewish court factor family, the fifth of six children of Therese (née Ottenheimer) and Benedict (Baruch) Henle.[1] Her father had made a name for himself as the author of geographical and horological reference books.[2] He was the son of activist Elkan Henle [de] and grandson of Rabbi Moshe Fränkel [de], and her mother the sister of poet Henriette Ottenheimer.[3] Her brother Sigmund von Henle [de] would become a prominent politician and lawyer of the Bavarian royal family.[4] She was educated at the Aschersche Mädcheninstitut boarding school in Munich.[5]

After her marriage in July 1853 to jewellery manufacturer Leopold Levi,[6] Henle settled in Esslingen, Württemberg, where her house became the rendezvous of a distinguished society circle.[7] Later, when her husband's company went bankrupt in 1881, she moved to Munich to live with her daughter.[8] In 1889 she relocated to her widowed sister's home in Frankfurt am Main,[9] where she died three years later. She was buried in the Frankfurt Jewish Cemetery in a funeral officiated by Rabbi Rudolf Reuben Plaut.[10][11]


Work


Elise Henle's first literary publication was the satirical poem Hut ab!, written in 1867 in response to an anti-Semitic statement by a judicial officer.[12] it was followed by the sketch Beim Volkfest (1869), the novella Das Zweite Jägerbataillon (1869), and the narrative Die Wacht am Rhein (1870).

She entered the dramatic field successfully with the political comedy Der Zweite September, which was soon followed by the drama Percy (a free adaptation of Philipp Galen) and the libretto of Richard Kleinmichel [de]'s romantic-comic opera Manon, oder Schloß de l'Orme, based on Abbé Prévost's Histoire du Chevalier des Grieux et de Manon Lescaut.[13] Her comedies Durch die Intendanz, Die Wiener in Stuttgart, Aus Göthes lustigen Tagen, Der Erbonkel, and Liebesqualen met with marked success in several German and Austrian theatres.[14][8] The latter was performed at the Stadttheater in Altona on 27 November 1881.[15] She also wrote the text of Murillo, an opera in three acts with music by Ferdinand Langer [ca], first performed at the Mannheim National Theatre in 1887.[13]

Near the end of her life, Henle published two popular Swabian German cookbooks in verse, Guat is's (1888) and So mag i's (1892, reprinted 1988).[5]


Partial bibliography


Plaque in tribute to Elise Henle at Neckarstraße 33 in Esslingen, where she lived from 1868 to 1881.
Plaque in tribute to Elise Henle at Neckarstraße 33 in Esslingen, where she lived from 1868 to 1881.

References


 This article incorporates text from a publication now in the public domain: Singer, Isidore; Kayserling, Meyer (1904). "Henle, Elise". In Singer, Isidore; et al. (eds.). The Jewish Encyclopedia. Vol. 6. New York: Funk & Wagnalls. p. 345.

  1. "Todes-Anzeige. Benedict Henle, k. Wechsel-Sensal". Beilage zu Nr. 71 der Allgemeine Zeitung (in German). 12 March 1863.
  2. "Esslingen". Alemannia Judaica (in German). 13 July 2015. Retrieved 25 November 2020.
  3. "Autorinnen & Autoren: Elise Henle". Literaturportal Bayern (in German). Bavarian State Library. Retrieved 26 November 2020.
  4. Babinger, Franz (1918). "Elkan Henle, 1761–1833. Ein Beitrag zu Geschichte der Judenverselbständigung in Bayern". Monatsschrift für die Geschichte und Wissenschaft des Judenthums. Breslau: Koebner'sche Verlagsbuchhandlung. 62 (26): 225–226. JSTOR 23080510.
  5. Vierhaus, Rudolf, ed. (2006). "Levi, Elisa (Sara), geb. Henle". Deutsche Biographische Enzyklopädie (in German). Vol. 6. Munich: K. G. Saur. p. 402. ISBN 978-3-11-094027-5. OCLC 868954020.
  6. Kord, Susanne (1992). Ein Blick hinter die Kulissen: deutschsprachige Dramatikerinnen im 18. und 19. Jahrhundert (in German). stuttgart: J. B. Metzler. p. 292. ISBN 978-3-476-00835-0. OCLC 26100719.
  7. Kayserling, Meyer (1879). Die jüdischen Frauen in der Geschichte, Literatur und Kunst (in German). Leipzig: Brockhaus. pp. 240–242.
  8. Schmaus, Marion (2009). "Henle, Elise (Sara)". In Kühlmann, Wilhelm (ed.). Killy Literaturlexikon. Autoren und Werke des deutschsprachigen Kulturraumes (in German). Vol. 5 (2nd ed.). Berlin: W. de Gruyter. doi:10.1515/9783110213928. ISBN 978-3-11-021392-8. OCLC 558818420.
  9. Brümmer, Franz (1913). "Ottenheimer, Henriette". Lexikon der deutschen Dichter und Prosaisten vom Beginn des 19. Jahrhunderts bis zur Gegenwart. Vol. 4. Leipzig: Philipp Reclam. pp. 244–245.
  10. Plaut, Rudolf (1892). Worte des Gedächtnisses, gesprochen an der Bahre der verewigten Frau Elise Henle (in German). Frankfurt am Main. OCLC 659794153.
  11. Senff, Bartholf, ed. (September 1892). "Elise Henle". signale für die musikalische Welt (in German). Leipzig: Verlag von Bartholf Senff. 50 (46): 723.
  12. Elsäßer, Alexander (25 June 1867). "Correspondenz aus Württemberg". Allgemeine Zeitung des Judentums. Leipzig. 31 (26).
  13. Griffel, Margaret Ross (2018). Operas in German: A Dictionary. Vol. 1 (Revised ed.). Lanham: Rowman & Littlefield Publishers. ISBN 978-1-4422-4797-0.
  14. Porterfield, Allen Wilson (June 1914). "Poets as Heroes of Epic and Dramatic Works in German Literature". Modern Philology. 12 (2): 65–99. doi:10.1086/386950. hdl:2027/nnc1.cu50235893. JSTOR 433033. S2CID 200036096.
  15. Groß, Heinrich (1882). Deutschlands Dichterinen und Schriftstellerinen eine literarhistorische Skizze (in German). Vienna: Carl Gerold's Sohn. pp. 127–128.


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